Download PDF 100 Left Hand Patterns Every Piano Player Should Know Play the Same Song 100 Different Ways Jerald Simon 9781948274029 Books

Download PDF 100 Left Hand Patterns Every Piano Player Should Know Play the Same Song 100 Different Ways Jerald Simon 9781948274029 Books


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Download As PDF : 100 Left Hand Patterns Every Piano Player Should Know Play the Same Song 100 Different Ways Jerald Simon 9781948274029 Books

Download PDF 100 Left Hand Patterns Every Piano Player Should Know Play the Same Song 100 Different Ways Jerald Simon 9781948274029 Books


Use these 100 left hand patterns in this book to arrange the 100 songs from the FUN Fake Book or use the left hand patterns to arrange any music you'd like to play. You can even use the 100 left hand patterns introduced in this book to compose music of your own. It's all about creating, arranging, improvising, and composing music you want to play. The left hand patterns taught in this book have been divided up into four different groupsÂ

Download PDF 100 Left Hand Patterns Every Piano Player Should Know Play the Same Song 100 Different Ways Jerald Simon 9781948274029 Books


"I can't write much more than what the above reviews have written, except that I wholeheartedly. As a piano teacher, I will use this book weekly. I love the clean layout, the build-up of left hand patterns, and the opportunity to practice with fun fake songs in the back, even Christmas songs are included. I plan to use it with the iReal app, improve, as well as teaching composition and more. I will take full advantage of this book with my students. It’s a keeper!"

Product details

  • Paperback 94 pages
  • Publisher Music Motivation (December 18, 2018)
  • Language English
  • ISBN-10 1948274027

Read 100 Left Hand Patterns Every Piano Player Should Know Play the Same Song 100 Different Ways Jerald Simon 9781948274029 Books

Tags : 100 Left Hand Patterns Every Piano Player Should Know Play the Same Song 100 Different Ways [Jerald Simon] on . This book was created to help piano students of all ages and skill levels learn how to improvise and arrange music of their own. The 100 left hand patterns introduced in this book can help piano students,Jerald Simon,100 Left Hand Patterns Every Piano Player Should Know Play the Same Song 100 Different Ways,Music Motivation,1948274027,MUSIC / Printed Music / Piano Keyboard Repertoire,Music / Instruction Study / Theory

100 Left Hand Patterns Every Piano Player Should Know Play the Same Song 100 Different Ways Jerald Simon 9781948274029 Books Reviews :


100 Left Hand Patterns Every Piano Player Should Know Play the Same Song 100 Different Ways Jerald Simon 9781948274029 Books Reviews


  • I can't write much more than what the above reviews have written, except that I wholeheartedly. As a piano teacher, I will use this book weekly. I love the clean layout, the build-up of left hand patterns, and the opportunity to practice with fun fake songs in the back, even Christmas songs are included. I plan to use it with the iReal app, improve, as well as teaching composition and more. I will take full advantage of this book with my students. It’s a keeper!
  • 100 Left Hand Patterns is what it purports to be, "Cool music that excites, entertains and educates." This book is filled with numerous possibilities and fresh ideas. Jerald includes explanations that are easy to understand and follow. Students and teachers, alike, will enjoy experiencing music through Jerald's talented perspective and catch a renewed vision of their own. Thank you, Jerald, for your contributions to the music world!
  • In recent years, I have had more students who have been interested in playing music from lead sheets. I feel that I have found a gold mine in Jerald Simon’s “100 Left Hand Patterns Every Piano Player Should Know!” This book is the most comprehensive book that I have seen when it comes to teaching students how to improvise. Not only does this book include 100 lead sheets of 5 different genres of music (Children’s Songs, American Folk Songs/Patriotic Songs, Christmas Music, Classical Music, and Gospel/Spiritual/Religious) in “The Fun Fake Book” section; but it also gives the student numerous playing styles to choose from Boogie-Woogie, Pop, Contemporary and more. There is a “Practical Application” section that gives instructions and examples on how to apply the different left-hand styles to a melody. In the “Chords to Learn” section, common chords are shown in each key. There is even a section that touches on how to improvise with the right hand. With the information and music presented in this book, students will be able to sit down for hours and experiment by mixing and matching the lead sheets to the varying styles written for the left hand.
  • This book is a marvelous resource for those who improvise and compose. It covers loads of accompaniment patterns that you can utilize. While I have played many of these patterns in repertoire, it’s very handy to have them all listed in one place to peruse instead of just relying on memory to recall all the variations.

    It’s also great for those who teach composition…I’ve had three students select patterns to use in their current compositions for contest. They love being able to hear and see the patterns to give their melody lines interesting harmonies. Some of these students haven’t played repertoire with these patterns yet, but now they are getting exposure to them thru composition first.

    As an accompanist who often has to play from lead sheets, or even just chord sheets, this book gives me new ideas for accompaniment with the singers instead of just the same old thing. Learning the patterns in all the keys is a nice refresher, but I would probably just focus on the keys that I play in most often. As a supplement to lessons, this will come in very handy for my students who are learning improvisational skills, such as jazz band pianists.

    This will be a valuable book for teachers, composers, and improvisational pianists.

    Lori Jessen
    NFMC Festivals Bulletin Editor
    SD-FMC Junior Composers Contest Chair
  • As a piano teacher, I must say this is a welcome addition to my teaching library. As a classically trained teacher, with mostly pop-oriented students, I'm always looking for ways to spice up lessons and keep my students engaged. While I'm a medieval warrior when it comes to music theory, but communicating theory concepts in simple terms can often be challenging.

    This is where "!00 Left Hand Patterns Every Piano Player Should Know" comes in. The book commences with an incredibly inspirational introduction (intended for piano students and their parents, but also inspiring for teacher), and then proceeds with basic left hand patterns (Alberti bass, waltz um pah pah, and polka). It then kicks things up a notch with jazz, blues and boogie woogie patterns--complete with fingering and a basic explanation of the theory behind each pattern.

    What really caught my attention was the new age and contemporary section. I'm familiar with some of the initial patterns, as they appear in some of Mark Harrision's books. However the later new age/ contemporary patterns that Jerald presents are quite captivating--sometimes embodying sounds from the romantic era, or paying homage to the melancholy motifs found in modern film scores.

    The next section is aptly titled "Practical Application", as it provides a few exampled of how to play "Twinkle Twinkle Little Star" (my only complaint is the omission of atonal or 12 tone from this book, especially since all children are naturally drawn this style...maybe in a 2nd edition, Jerald? Just kidding).

    The final section consists of 100 Fund Songs from the Fun Fake Book--ranging in style from Children's songs, Americana, Christmas Music, Classical and Gospel. There is also a section entitled "Chords to learn" that provides 16 chords to learn (in all inversions) in all 12 keys. The cherry on top at the end is the couple of pages that deal with right hand improvisation--something students (and a lot of classically trained teachers) struggle with. While this sections is brief, it provides a great launching point for further creativity/ experimentation in the classical, blues and jazz idioms.

    Well done Jerald! I'm very grateful and very impressed. Looking forward to checking out your other books!

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