Ebook Elemental Magic Volume I The Art of Special Effects Animation Joseph Gilland 9780240811635 Books
Ebook Elemental Magic Volume I The Art of Special Effects Animation Joseph Gilland 9780240811635 Books
Download As PDF : Elemental Magic Volume I The Art of Special Effects Animation Joseph Gilland 9780240811635 Books
Create amazing animated effects such as fiery blazes, rippling water, and magical transformations. Animation guru Joseph Gilland breaks down the world of special effects animation with clear step-by-step diagrams and explanations on how to create the amazing and compelling images you see on the big screen. 'Elemental Magic' is jam-packed with rich, original illustrations from the author himself which help explain and illuminate the technique, philosophy, and approach behind classical hand drawn animated effects and how to apply these skills to your digital projects.
* Create stunning animated effects such as sparkling pixie dust, roaring tidal waves, and raging fires
* Apply the theory behind effects animation to your traditional and digital animation projects
* Written by animated effects guru, Joseph Gilland, who has worked on such feature films as Lilo & Stitch, Brother Bear, Pochahontas, Tarzan, and Mulan.
Ebook Elemental Magic Volume I The Art of Special Effects Animation Joseph Gilland 9780240811635 Books
"It's a great book with excellent information. I just wish the graphic design layout would be better laid out with bold sub-topics. Would make the book easier to read. Too bad there's no actual reference from the movie's he's worked on. But I'm sure that a publishing decision, not the authors."
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Tags : Elemental Magic, Volume I The Art of Special Effects Animation [Joseph Gilland] on . Create amazing animated effects such as fiery blazes, rippling water, and magical transformations. Animation guru Joseph Gilland breaks down the world of special effects animation with clear step-by-step diagrams and explanations on how to create the amazing and compelling images you see on the big screen. 'Elemental Magic' is jam-packed with rich,Joseph Gilland,Elemental Magic, Volume I The Art of Special Effects Animation,Focal Press,0240811631,Animation,Computer Graphics,Animated films - Technique,Animation (Cinematography),Animation (Cinematography).,Drawing - Technique,Drawing;Technique.,Computers Internet,2D animation,3D animation,ART / Digital,COMPUTER,Classical animation,Classical animation; Drawing techniques; Illustration; Special effects; 2D animation; 3D animation,Computer Applications,Computer Books General,Computer graphics software,Computer/General,Computers,Computers Internet,Computers - Other Applications,Computers / Computer Graphics,Computers/Digital Media - Video Animation,Computing information technology,Digital Media - Video Animation,Digital animation,Drawing,Drawing - Technique,Drawing techniques,Drawing;Technique.,General Adult,How-to/Do-it-yourself,Illustration,Non-Fiction,PERFORMING ARTS / Animation (see also Film / Genres / Animated),Special effects,Technique,United States,ART / Digital,Computers / Computer Graphics,Computers/Digital Media - Video Animation,Digital Media - Video Animation,PERFORMING ARTS / Animation (see also Film / Genres / Animated),Computers - Other Applications,Drawing,Technique,Computers,Computer Books General,Computer graphics software,Computing information technology,Digital animation
Elemental Magic Volume I The Art of Special Effects Animation Joseph Gilland 9780240811635 Books Reviews :
Elemental Magic Volume I The Art of Special Effects Animation Joseph Gilland 9780240811635 Books Reviews
- I've been hoping for years that someone would write a comprehensive book on 2D effects animation. Something more than the little "how to draw and flapping flag" or "how to make a fire cycle" bits that get tacked on in other animation books.
Disney veteran Joseph Gilland has finally given us that first book dedicated to 2D effects animation. He's broken down effects into four broad categories (water/liquids, fire/smoke, props/solid objects and magical effects) and laid out the principles needed to bring them to life on paper.
Since every real-world splash and flame is unique, Elemental Magic isn't so much of a "how to draw" type book as it is a "how to approach" book. Gilland breaks down the basic behaviors of different types of matter and the working methods needed for an animator to capture the dynamic essence of an effect without being tied to a hyper-real style or getting bogged down in an unmanageable level of detail.
And this book doesn't solely apply to hand-drawn effects. Each section on a type of matter includes several pages on how to apply these classical animation principles to digital effects work. How to get the most out the computer's ability to do the heavy lifting on effects.
Hopefully this isn't the last book ever published on 2D effects animation. Gilland himself mentions that he's only scratching the surface with this book and that water, smoke or any other element could warrant a full volume treatment.
I hope someone takes him up on that offer, and with Elemental Magic we now have a solid foundation to build on. - Special Effects (SFX) is as old as Cinema. Any and all methods have been used to simulate effects in live action as well as animation films.
This book and its sequel gives this unique art a detailed treatment that is long overdue. It is essential in teaching art not to focus too much on How to do 'this', How to do 'that' etc. It is always easy to teach that. But art is about creativity and not about repeating something like one does in an assembly line. More so in this niche domain of Special effects which is at the same time as much of a science as art.
This book deals it the right way by introducing the reader to the approaches of special effects, beginning with early attempts at animation special effects. A great amount of detail is provided in the study of the elements, and how it gets integrated into an effect. One begins to appreciate how much the study, observation of the real world in extreme detail is an essential ingredient of understanding effects.
The book equips the reader with all the mental tools needed to get started on a journey, where one goes into his/her own path of exploration, study, experimentation and producing Effects. Instead of merely showing, say, how to make smoke.
The study of Effects animation, is in essence a study of natural phenomena. Hence wast.
For instance when we say water it implies... (I quote from the book) Splashes, Ripples, Waves, Bubbles, Fountains, White water, Geysers, Water hoses, Raindrops, Rivers, Waterfalls, Oceans, Ice, Snowflakes, Avalanches and Slush !! Whoa!.. You get the point!
This volume deals with two categories.
(1) Liquid
(2) Fire, Smoke and Explosions
The author uses a very very simple, clear and lucid language, breaks down the process ever so slowly, with enough examples, time and explanations that aid in the assimilation of the subject.
Since the treatment is at a fundamental level, what one learns forms the foundation for any medium. - It has been said that one must learn special effects for animation prior to animating or any other process in the field. I do not know if this is a solidified truth or not, but it pays off when an animator boils down the timing. Not to mention that drawing and artistic styling can manifest expansions as well when one delves into this sort of practice or study.
There are plenty of examples to build a portfolio or an understanding. Let it be said that one should not copy from the examples in the book after he has firmly grasped then, and try and substitute his own takes on the matter and projects to build this portfolio.
Minimal information is out or written on this subject pertaining animation, or at least as far as I know outside of an academic institution. A classical approach to the application, but beneficial digitally for a means to an end. This is one of the only sources of information pertaining to this matter, and should be a must for any student or individual starting out and interested in this area. Regarding the price and the amount of information that is stored within is a steal.
The two volumes make for great additions to supplemented materials as photograph books on motion and such subjects, as well as life studies of natural phenomena. - So far I really like this first volume. It gives solid advice on how to approach drawing effects. I've read reviews that suggest you to straight to volume 2. But I feel you miss the basic stuff, that is pretty important. I recommend getting both books. It will help publishers print more books on animation. Especially the hand drawn stuff.
- It's a great book with excellent information. I just wish the graphic design layout would be better laid out with bold sub-topics. Would make the book easier to read. Too bad there's no actual reference from the movie's he's worked on. But I'm sure that a publishing decision, not the authors.
- I was in Vancouver Film School's Classical Animation Course back in 1999-2000 (Class 29), and the 2D FX course was exceptional. I still look over my old notes to aid in animating. Even though the old notes are comprehensive, I still wanted to have more detail and explanation on the subject - and whallah! I found this book on . Much to my surprise, I discovered Mr. Gilland taught at VFS many years after my departure but I can still benefit from his genius via his books.
Excellent books, both Volumes.
Cheers,
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